Senin, 19 November 2012

[R241.Ebook] Free PDF Chord Progressions for Guitar: 101 Patterns for All Styles from Folk to Funk!From Hal Leonard

Free PDF Chord Progressions for Guitar: 101 Patterns for All Styles from Folk to Funk!From Hal Leonard

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Chord Progressions for Guitar: 101 Patterns for All Styles from Folk to Funk!From Hal Leonard

Chord Progressions for Guitar: 101 Patterns for All Styles from Folk to Funk!From Hal Leonard



Chord Progressions for Guitar: 101 Patterns for All Styles from Folk to Funk!From Hal Leonard

Free PDF Chord Progressions for Guitar: 101 Patterns for All Styles from Folk to Funk!From Hal Leonard

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Chord Progressions for Guitar: 101 Patterns for All Styles from Folk to Funk!From Hal Leonard

(Musicians Institute Press). This "private lesson" with MI instructor Tom Kolb is an easy-to-use guide to the most essential chords, rhythms and strumming patterns for a huge variety of musical styles: rock, blues, jazz, country, folk, R&B, funk, soul, Latin jazz, fusion, ska, reggae and gospel! Each musical example in the book is demonstrated on the accompanying CD, backed by a full rhythm section.

  • Sales Rank: #521139 in Books
  • Brand: Hal Leonard
  • Model: HL00695664
  • Published on: 2003-06-01
  • Released on: 2003-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .21" w x 9.00" l, .50 pounds
  • Binding: Sheet music
  • 56 pages
Features
  • Brand Name: Kolb, Tom Mfg#: 9780634036286
  • Shipping Weight: 0.50 lbs
  • Manufacturer:
  • Genre:
  • All music products are properly licensed and guaranteed authentic.

Most helpful customer reviews

83 of 86 people found the following review helpful.
Great book! Good training for the rhythm guitar!
By M. C Cardoso
The way I see it, the "Chord Progressions" book/CD is a great companion to the main Musician Institute book for Rhythm Guitar, the "Complete Guide". While the "Guide", another excellent book, builds your playing technique and chord vocabulary and can be used as the main "course book", "Chord Progressions" provides dozens of realistic examples of rhythm guitar as applied in popular music.

"Chord Progressions" is a great value for the money! It is useful for the beginner and intermediate guitar player, as it lays out smart chord progressions and includes 100 well-recorded tracks covering most styles in American popular music, from folk rock to heavy rock, from country to new wave, from soul & funk and reggae to classic rock ballads. Believe me, there are lots! And the guitar sounds right on every track.

If you are a well-rounded music lover that enjoys different styles, particularly from the '60s to the '80s, this book will have something for you. As for me, I am committed to learning ALL of the progressions. I found the music fun and they are a great source for songwriting and jamming inspiration.

Playing the tracks in enjoyable in its own right, but the greatest benefits will come from studying the progressions (rhythm, harmony and melody) and relating it to the famous and worthy music that guided the making of this book.

The author introduces EACH progression with very welcomed info on harmony, suggested playing technique, tricky parts and what makes the track effective. Do not overlook Mr. Kolb's comments as they clarify the "lessons" you should take from the exercise.

As a final remark, please note that the level of difficulty DOES vary from track to track, but NOT in a gradual way. Since the exercises are separated by style rather than difficulty, you might be stuck on a tough "country rock" lick, but if you move a few pages ahead you might find a rock ballad that is much easier. That is just an example, but the message is: browse through the whole book - there are lots to enjoy. Some tracks you might be able to play right away, others will take considerable practice to sound right... But in the end, by the time you master this fine book, you will be ready to join most bar bands in the world! OR perhaps write a hit song based on a "classic" progression.

39 of 41 people found the following review helpful.
Great - lots of voicings, takes the dull routine out of practice
By Mary Anne
I've been doing these progressions in order though you don't have to - but doing so really gives you a feel for how different voicings and sometimes different keys can flavor the same style and make it sound fresh. I had gotten in a rut, droning on in practice trying various voicings for chords and needed something to make such practice more productive and efficient. I tried this book based on the reviews here and found that this guy had done all the work for me in writing out and recording a collection of useful progressions that sound great and really mix up the voicings.

Descriptive narratives are provided in the book for each progression sample. These are really great because they point out the main concepts in a nutshell - things you might already know and understand but might not really talk about in such a well summarized way.

I use the cd that demos each sample to loop the progressions and play along, changing from rhythm to lead back and forth so I am ending up getting more then double my money worth - the rhythm guitar practice is great and then doing lead practice against each progression helps get you comfortable making up rifs and melodies for each style against the various voicings... I can't believe the price point on this. It's so little for so much - get it before they catch on to what a deal this is!

Bottom line: This book is fun, and it helps train your ear and improve your playing. Mastering all the samples will add a lot of variety to your tool kit of sounds - a great collection of voicings to encorporate in your own creative efforts.

22 of 24 people found the following review helpful.
Really fun to play and easy enough for a beginner!
By Hello Kitty Ellen
I love this learning to play guitar book because it includes ALL kinds of music: rock, country, fusion, bepop, punk, and on and on. Each chapter is a different style of music, so you can flip around to your favorites and learn a bit of everything! As a beginner, I thought the difficulty level was perfect. I learned a lot of new techniques. Only a few of the music pieces (each one is short - not a full song length) were too hard for me. I felt like I improved a lot especially with barre chords and different styles of strumming.

See all 38 customer reviews...

Chord Progressions for Guitar: 101 Patterns for All Styles from Folk to Funk!From Hal Leonard PDF
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Chord Progressions for Guitar: 101 Patterns for All Styles from Folk to Funk!From Hal Leonard PDF

Chord Progressions for Guitar: 101 Patterns for All Styles from Folk to Funk!From Hal Leonard PDF

Chord Progressions for Guitar: 101 Patterns for All Styles from Folk to Funk!From Hal Leonard PDF
Chord Progressions for Guitar: 101 Patterns for All Styles from Folk to Funk!From Hal Leonard PDF

Sabtu, 17 November 2012

[C266.Ebook] PDF Ebook The SAGE Sourcebook of Service-Learning and Civic EngagementFrom SAGE Publications, Inc

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The SAGE Sourcebook of Service-Learning and Civic EngagementFrom SAGE Publications, Inc

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The SAGE Sourcebook of Service-Learning and Civic EngagementFrom SAGE Publications, Inc

Service-Learning and Civic Engagement: A Sourcebook�focuses on historical, philosophical, social foundations, practices and models of service-learning and civic engagement. The title offers practical, jargon-free chapters applicable to any educational institution as well as community organizations that might consult the work.

Key Features

  • Practical, jargon-free chapters applicable to any educational institution as well as community organizations that might consult the work
  • 58 signed chapters are organized into thematic parts, such as Concepts & Theoretical Approaches, Historical & Social Foundations, The Role of Service-Learning in Higher Education, The Role of the Community, Lessons Learned & Future Directions, etc.
  • Thematic parts provide a practical sampling of syllabi, lesson plans, activities and resources, and online websites and databases supporting service-learning.
  • Glossary (key terms commonly used in discussions and research on service-learning and civic engagement)
  • Bibliography of sources consulted in production of the volume

�This Sourcebook is a scholarly source ideal for any educational institution and academic library as well as public libraries and community organizations that might consult the work on historical, philosophical social foundations, practices and models of service-learning and civic engagement.

  • Sales Rank: #2579925 in Books
  • Published on: 2015-04-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.40" w x 8.60" l, .0 pounds
  • Binding: Hardcover
  • 520 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Definitely buy if you're considering a service-learning model
By Sabriel
Highly useful for programs, colleges/universities, or community constituents who are considering service-learning approaches or already have them. The book contains chapters that examine all aspects of service-learning: set-up, assessment, pre-/post-preparation, legalities and logistics, and making the most of the experience. There's even a chapter with a student perspective.

I used it to get ideas for what others are doing at their sites and to find better ways of assessing our programs.

See all 1 customer reviews...

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Kamis, 08 November 2012

[K749.Ebook] Ebook My Skin Is My Sin, by Dejon

Ebook My Skin Is My Sin, by Dejon

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My Skin Is My Sin, by Dejon

My Skin Is My Sin, by Dejon



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My Skin Is My Sin, by Dejon

DeJon, the Donald Goines of the new millennium, takes you on yet another fast-paced adrenaline run that will have you eagerly anticipating more.

Pumpkin, a pretty, na�ve teenage girl fresh out of high school gets hooked up with Goldmine, a stunning and conniving stripper, after being sexually assaulted by her aunt's bi-sexual girlfriend.

Goldmine wastes no time in introducing Pumpkin into Atlanta's cold seedy underworld of quick money, tarnished dreams, and exotic dancing. Pumpkin soon finds herself caught up in the middle of a brutal drug war between New York gangsters and Atlanta's local drug dealers who will stop at nothing to protect their territory.

  • Sales Rank: #3059769 in Books
  • Brand: Brand: Urban Books
  • Published on: 2007-05-01
  • Released on: 2007-04-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.24" h x .73" w x 5.56" l,
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

About the Author
Dejon was born in California but raised in New York. He frequently travels to various states doing book signings at special events. Dejon currently has 3 Urban Fiction novels out that's very entertaining and adds a powerful razor sharp morality edge at the end of each story. Dejon's first novel is titled "ICE CREAM FOR FREAKS", his second novel is "MY SKIN IS MY SIN", and the third is "ICE COLD VENGEANCE", the long awaited sequel to the first Urban Fiction novel. Dejon hobbies includes participating in minor chess tournaments and collecting antique or hand carved chess pieces from different countries. He also loves caring for his pet fishes. Dejon has two Japanese Siamese fighting fish- "Samson" {the male} and "Delilah" {the female} in a large aquarium. He also has an albino Oscar fish and a striped tiger Oscar also in a separate decorated tank which helps with Dejon's creative writing endeavors. Dejon has another book coming out shortly which is a history {slash} philosophy book that's sure to debunk a few myths and raise quite a few eyebrows. The title is a closely guarded secret. {sorry readers}

Most helpful customer reviews

0 of 0 people found the following review helpful.
WTF???
By L. Curtis
The book had the POTENTIAL to be a cool story as it started out interesting, but this author ruined it. He tried to intertwine too many chracters, scenarios & lifetsyles in a manner that did not mesh well. Their are simply too many main characters, he took alot of scenarios way too far & they were grotesque/far fetched, the ending was STUPID (the best word I could use) & there were too many plots. The more I read the more the book it lost it's appeal. The title has absolutelty NOTHING to do with the book (doesn't even serve as a metaphor) & the girl Pumpkin is far from the focal point of the story. Seems like this author put all his ideas in one book. Don't wast your time or money on this one. Glad I checked it out the library.

1 of 1 people found the following review helpful.
Staying alive
By The RAWSISTAZ Reviewers
The setting for Dejon's sophomore novel, MY SKIN IS MY SIN, is an area of Atlanta known as "Little Vietnam." Here we find Pumpkin who is living with her aunt after her mother was incarcerated on drug charges. Constantly harassed by her aunt's girlfriend, Pumpkin realizes it's time to leave after almost being molested. She moves in with her friend who introduces her to her sister, Goldmine. Under Goldmine's tutelage, Pumpkin enters the world of exotic dancing and discovers the dark side of the streets.

In the backdrop, there is a drug war brewing in Little Vietnam with some drug dealers from New York who are trying to take over the territory of the local dealers. Pumpkin and Goldmine both play a part is fueling the flames. There is also an interesting subplot which involves White Boy Danny who is the coolest white guy in the hood. Readers will be shocked this "down brotha" has a hidden agenda.

MY SKIN IS MY SIN is a plot-driven ride on the wild side. It is a graphic and gritty look at the world of fast money and dangerous living. There is no glamour or success within the pages, just a hard look at the truth. The book is very well written and the author encased elements relating to loyalty, racism and the fight to survive the mean streets. This is my first book from this author and he has captured my full attention. I look forward to future offering by Dejon.

Reviewed by Paula Henderson
of The RAWSISTAZ Reviewers

0 of 0 people found the following review helpful.
Good Book!!
By Jokima Brown
This was a good book as well, Pumpkin went through a lot and it ended so crazy and tragic. I felt like I was right there! Definitely would read again and again!

See all 12 customer reviews...

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[F755.Ebook] Ebook Ceccoli Tarot Deck, by Nicoletta Ceccoli, Lo Scarabeo

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Ceccoli Tarot Deck, by Nicoletta Ceccoli, Lo Scarabeo

Celebrated illustrator Nicoletta Ceccoli draws in a style of provocative enchantment. Her tarot deck moves between harmony and madness, capturing a wholly unique element of eerie innocence. These cards provide insight into complex questions, where the dark mingles with the light and reveals the shades of gray that illuminate our most profound truths.

  • Sales Rank: #53546 in Books
  • Published on: 2014-10-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 4.80" h x 1.20" w x 2.70" l, .50 pounds
  • Binding: Cards

About the Author

Since 1987, Art Publisher Lo Scarabeo has published over 100 Tarot decks that have been acclaimed all over the world for originality and quality. Only the best Italian and International artists are selected for our new decks, and the result is that Lo Scarabeo's decks are all recognizable as an exceptional artistic value.

Tradition
One of Lo Scarabeo's goals is the preservation of traditional Tarot decks.

Development
New decks and ideas are continually gathered from all over the world. This allows Lo Scarabeo to produce some of the most innovative decks available today.

Quality
Lo Scarabeo is committed to ever increasing quality and beauty of their products.

Distribution
*Llewellyn is the exclusive distributor of Lo Scarabeo products in North America.

Lo Scarabeo's Tarot decks have been acclaimed all over the world for originality and quality. With�the best Italian and international artists, each Lo Scarabeo deck is an exceptional artistic value.

Commited to developing innovative new decks while preserving the rich tradition of Tarot, Lo Scarabeo continues to be a favorite among collectors and readers.

Llewellyn is the exclusive distributor of Lo Scarabeo products in North America.

~

Most helpful customer reviews

52 of 54 people found the following review helpful.
fascinating surreal deck for intuitive readers
By weird bottle washer
Nicoletta Ceccoli is an artist from San Marino often identified with the Lowbrow or Pop Surrealist movment. Her detailed paintings, which often feature doll-like girl-child figures, have an eerie, dreamlike quality. She is sometimes compared to Mark Ryden, an apt comparison, but her work is less in-your-face weird and I find it more appealing. Ms. Ceccoli is also an accomplished illustrator of children's books.

The Nicoletta Ceccoli Tarot collects some of her artwork and puts them on 78 Tarot cards. The developers have tried to find images that line up with traditional meanings, and have been mostly successful. The paintings have to be cropped and sometimes, the objects repositioned to fit into the rectangle of each Tarot card. Sometimes we are looking at a detail from a larger canvas.

But what a delightful, weird, fascinating, evocative collection of images! Her world is populated by female doll-like and other symbols of childhood: toys, candy, cakes, cute anthroporophic animals, winged fairies. She likes murky grays but sometimes gives us a splash of baby-pink or baby-blue. An air of melancholy pervades her dreamscapes.

A big cloth bunny menaces a pair of dolls, who cower behind a stack of blocks for safety. A warrior princess astride a toy giraffe-thing slays a monster with a lance. A blonde long-haired girl hugs a crimson salamander to her chest. A dark-haired girl lifts her skirt, and out runs a bull. Another girl balances on a tightrope from one skyscraper to another. A tutu'd ballerina sits in a chair, posing with a swan in her lap. A girl runs fast through a forest of lollipops, chased by a toy insect.

Most of the pictures are not close to their Rider-Waite-Smith counterparts, and is not recommended for those who demand a close RWS derivative. But for those who favor and intutive reading style and are willing to step into Nicoletta Ceccoli's wild, weird, wonderful world, it might be just your thing.

25 of 27 people found the following review helpful.
Emotional Truth-Telling Cards that are Breathtakingly Beautiful.
By Tara
I had these on preorder for so long that I built up this imagine in my mind of these perfectly detailed cards and I was not disappointed. While I agree that these cards are not for the novice reader I firmly believe that if you are drawn to them then it is for a reason and you should add it to your collection.

My Reading Results & Impressions:
I find that they are filled with twisting emotions that come through every reading regardless of you being prepared for them or not. I have yet to have a reading that did not take us on one emotional extreme to the next. These cards will leave you drained and exhausted but in doing so it will make you see the things you have hidden or masked. They are a rare set of truth tellers and I am honored to have them in my collection,
I do not use them for daily readings because of the emotions involved but they are perfect for the person who is soul seeking or trying to remove the cloud from faded memories. They are brutal in their honesty so I would not use on a delicate reading but for one who is ready for the "in your face" type of truth that they will show.

16 of 18 people found the following review helpful.
Outstanding!
By Boglarka Kiss
:) Ah, I do not even know what to say, honestly. I got this deck about a week ago, and I have become addicted to it. I am crazy about Tarot cards, indeed. For me, Tarot is a Love that will never end, and lately, I have bumped into two decks that I have felt goosebumps about, one of them is the Ceccoli Deck (the other one is the Bruegel Tarot). When I saw them, I simply felt they were Must Have Decks for me. The Bruegel Deck came first, and it blew me away, then...

:) A week later, this simply awesome Ceccoli Deck arrived. I do not want to persuade anyone, and I do not know who this Artist is, but I have the feeling her Art was not originally planned for Tarot cards. Yet they are unbelievable!

If you want to see the possible outcome of things, present, past or future events, this deck is brilliant in 'investigations', but simply awesome in exploring the psychological background of relationships, motivations, feelings, fears, characters, I have no words for it, indeed.

I have not and will not read the LWB, because these cards work for intuitive readings. I have tried them in a special way, as well, to describe characters - with one card for each person -, and so far, for me, this is the deck that has given the clearest descriptions. These cards speak for themselves. You just have to follow your intuition when you look at the cards.

Yes, the imagery is weird, sometimes even scary - but these images are in us, and I am convinced that the resonances of these cards also work in the subconscious so as to help us let our fears and dark thoughts go - this Artist knows something about the human psyche, indeed! And the artwork is simply beautiful!

:) So thank you, Nicoletta and Lo Scarabeo, you have made me very happy, and I do hope others will also explore the wonders of this deck, as well as Tarot cards in general. Thank you so much!

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Selasa, 06 November 2012

[P902.Ebook] Download PDF Mother Teresa: Saint or Celebrity?, by Gezim Alpion

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Mother Teresa: Saint or Celebrity?, by Gezim Alpion

Mother Teresa was one of the most written about and publicised women in modern times.�Apart�from�Pope John Paul�II, she was arguably the most advertised religious celebrity in the last quarter of the twentieth century. During her lifetime as well as posthumously, Mother Teresa continues to generate a huge level of interest and heated debate.


G�zim Alpion explores the significance of Mother Teresa to the mass media, to celebrity culture,�to the Church and to various political groups. A section explores the ways different vested interests have sought to appropriate her after her death, and also examines Mother Teresa's own attitude to her childhood and to the Balkan conflicts in the 1980s and 1990s.



This book sheds a new and fascinating light upon this remarkable and influential woman, which will intrigue followers of Mother Teresa and those who study the vagaries of stardom and celebrity culture.

  • Sales Rank: #2408954 in eBooks
  • Published on: 2006-10-16
  • Released on: 2006-10-16
  • Format: Kindle eBook

Review

'It is a clever book, providing a great deal of original and new thought on the subject.' - Primrose Peacock, Friends of Albania�

'In his unparalleled scholarly book, Alpion has presented a multidimensional portrait of Mother Teresa. And she appears human as she rarely did in any discourse about her.' - Gaston Roberge, The New Leader

'In its depth, breadth, and seriousness, this volume may stand for some time to come as the single most imporant biography of Mother Teresa in English ... A great value of this book is that [Alpion] has provided us with the fullest portrait yet of her native culture and her maturation'�– Center for Islamic Pluralism

'This book of Alpion's feels like a whiff of delightfully fresh air.�It is the�work�of an open and dedicated scholar, who despite his reverence for the nun has yet striven to be as unbiased as possible, never letting his emotions get in the way. I would have no hesitation at all in recommending this book to everyone.'��– Bulletin of the Faculty of Foreign Studies

'I enjoyed this book and anyone interested in how Albanian identity is understood and constructed should take the time to read it carefully.' -- Journal of Ethnic and Migration Studies

About the Author

G�zim Alpion is Lecturer in Sociology and Media Studies at the University of Birmingham, UK.�He received a PhD from the University of Durham, UK, in 1997.�Alpion is a versatile academic, writer, playwright, essayist and journalist.�His works include Vouchers (2001), Foreigner Complex (2002), If Only the Dead Could Listen (2006) and Encounters with Civilizations (2007).

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Sabtu, 03 November 2012

[O684.Ebook] Free Ebook Empire of Cotton: A Global History, by Sven Beckert

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Empire of Cotton: A Global History, by Sven Beckert

WINNER OF THE BANCROFT PRIZE

PULITZER PRIZE FINALIST

The empire of cotton was, from the beginning, a fulcrum of constant global struggle between slaves and planters, merchants and statesmen, workers and factory owners. Sven Beckert makes clear how these forces ushered in the world of modern capitalism, including the vast wealth and disturbing inequalities that are with us today.
������� In a remarkably brief period, European entrepreneurs and powerful politicians recast the world’s most significant manufacturing industry, combining imperial expansion and slave labor with new machines and wage workers to make and remake global capitalism. The result is a book as unsettling as it is enlightening: a book that brilliantly weaves together the story of cotton with how the present global world came to exist.

  • Sales Rank: #7715 in Books
  • Published on: 2015-11-10
  • Released on: 2015-11-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.97" h x 1.29" w x 5.18" l, .0 pounds
  • Binding: Paperback
  • 640 pages

Amazon.com Review

An Amazon Best Book of the Month, December 2014: How important is cotton? For starters, there’s a good chance that you’re wearing it right now. That’s true no matter where you live in the world. Cotton is everywhere, has been for a long time, and was the dominant commodity during the early years of our country. It fostered “war capitalism” among European nations. It helped launch the industrial revolution in England. It drove slavery. The story of cotton is the story of modern capitalism, and in Empire of Cotton, author Sven Beckert shows how a worldwide crop that came in multiple forms and was cultivated and produced in many different ways came to be dominated by the late coming Europeans, and later Americans, often through violent means, reshaping both the world economy and the world itself—for better or worse—along the way. – Chris Schluep

Review

“Masterly. . . . Deeply researched and eminently readable, Empire of Cotton gives new insight into the relentless expansion of global capitalism. �With graceful prose and a clear and compelling argument, Beckert not only charts the expansion of cotton capitalism . . . he addresses the conditions of enslaved workers in the fields and wage workers in the factories. �An astonishing achievement.”—Thomas Bender,�New York Times

“Important �. . .a major work of scholarship that will not be soon surpassed as the definitive account of the product that was, as Beckert puts it, the Industrial Revolution’s ‘launching pad.’”�—Adam Hochschild, New York Times Book Review�����
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“Breathtakingly comprehensive, informative and provocative.”�—Glenn C. Altschuler, Tulsa World

“Persuasive . . . brilliant . . . Beckert’s detailed narrative never scants the rich complexity of the cotton trade’s impact on many different societies.”�—Wendy Smith, Boston Globe
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“Empire of Cotton proves Sven Beckert one of the new elite of genuinely global historians.� Too little present-day academic history is written for the general public. ‘Empire of Cotton’ transcends this barrier and should be devoured eagerly, not only by scholars and students but also by the intelligent reading public. The book is rich and diverse in the treatment of its subject. The writing is elegant, and the use of both primary and secondary sources is impressive and varied. Overviews on international trends alternate with illuminating, memorable anecdotes. . . . Beckert’s book made me wish for a sequel.”�—Daniel Walker Howe, The Washington Post

“Momentous and brilliant . . . Empire of Cotton is among the best nonfiction books of this year.”�—Karen R. Long, Newsday

“Compelling . . . Beckert demonstrates persuasively how the ravenous cotton textile trade in Europe was instrumental in the emergence of capitalism and draws a direct line from the practices that nourished this empire to similar elements in the production of goods for today’s massive international retailers. Those who long to know more about how and why slavery took hold in Europe, Africa and the Americas will find this book to be immensely enlightening.� Better still, those who live out the troubled legacy of the exploitation and enslavement of workers in the service of the cotton empire will find in it added inspiration for their continuing efforts to realize a just and more equitable society.”�—Ruth Simmons, President Emeritus of Brown University
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“Intellectually ambitious . . . a masterpiece of the historian’s craft.”�—Timothy Shenk, The Nation

“A highly detailed, provocative work.”�—Booklist

“Hefty, informative, and engaging . . . Beckert’s narrative skills keep the story of capitalism fresh and interesting for all readers.”�—Publishers Weekly

“[Beckert’s] close-up study of the cotton economy is a valuable model for the study of capitalism generally, an economic system in which slavery and colonialism were not outliers but instead integral to the whole . . . a valuable contribution.”�—Kirkus

“Fascinating and profound. . . .�Global history as it should be written.”�—Eric Foner

About the Author

Sven Beckert is the Laird Bell Professor of American History at Harvard University. Holding a PhD from Columbia University, he has written widely on the economic, social, and political history of capitalism. He has been the recipient of numerous awards and fellowships, including from Harvard Business School, the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library, and the Charles Warren Center for Studies in American History. He was also a fellow of the American Council of Learned Societies and the John Simon Guggenheim Memorial Foundation. He lives in Cambridge, Massachusetts.

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29 of 30 people found the following review helpful.
How slavery, colonialism, and strong state involvement laid the foundations of modern prosperity
By Robert J. Crawford
This is an academic treatment of how the modern industrial economy was born: heavy in detail, clear in analysis, if somewhat dry at times. While much of the ground has been covered elsewhere, the synthesis, breadth, and grand themes that emerge are unavailable in a single volume, to my knowledge. For me, it was a seminal reading experience, a necessary perspective that brought things together in a way that will influence my view of modern society for the rest of my life.

The principal idea of the book is that the cotton industry, which represented the first step in the development of the modern industrial economy, was created by slavery and brutal and ever-more-efficient state coercion in cooperation with private capital. Global in scale, this convergence of factors would re-fashion the everyday lives of a majority of people on the planet - subordinating their working days to the rhythms of machines that replaced human muscle labor, opening the way to unprecedented prosperity for many, and enabling decisionmakers far from their homes to control the lives of people they will never meet.

Beckert sees several steps in these developments. In the beginning, there was the development of "war capitalism". In a nutshell, this was the forcible appropriation of land and labor, with the cooperation of a primitive form of the state. While cotton had been in use for millenia, it was limited to small, very local, networks at this time. As demand grew and new forms of mechanized manufacture began to appear, war capitalism vastly increased the scale of cotton cultivation, employing slaves to undertake the backbreaking work of clearing the land and then the thankless task of harvesting the cotton - their utility was cheap labor that could be forced to work by any means necessary. Meanwhile, the state aided in the acquisition of land - because it exhausted the soil quickly, cotton cultivation required continual land appropriation - and the displacement or elimination of whomever was unfortunate enough to occupy that land, in most cases Amer-Indians. For their part, capitalist traders emerged in Manchester, a mercantile capital that gained tremendous market influence and political power to bring the state into alignment with their interests.

The next phase opened with the invention of new means of production, in particular in the harnessing of chemical power in mills of ever-expanding scale and with elaborate forms of administrative innovation. At the same time, the state got involved with the protection and establishment of markets for their goods, both in supply but also for selling, i.e the distribution of goods. Industry was national and nationalistic. The natural culmination of this was the colonial enterprise. This was the second great legacy of the cotton empire: the de-industrialization and control of vast new territories. For example, the skills required for the production of the fine muslin of India were completely and forever destroyed. The native populations were subjugated to this order, fitting integrally into a hierarchy that exploited them while enriching captains of industry and politicians in colonial capitals. Meanwhile, manufacturing facilities became the source of massive employment, drawing people from the countryside to urban agglomerations that grew to then-incredible proportions.

Furthermore, the state remained intimately involved in the development of the economy in the major colonial states, not only in the development of supporting infrastructure, but in the legal subjugation of workers for the protection of the evolving industrial practices. This was the crucial step in the virtuous circle that arose of self-reinforcing economic development, resulting in a far more intricate and complex industrial economy that emerged in the product cycles of related manufactures. It can only be described as a revolution that changed our lives so fundamentally that it is on a par with the neolithic revolution.

Of particular interest is the evolution of the political economy of slavery. It was seen as a necessity for cotton production in the American South - a phenomenally profitable enterprise that created capital for further industrial investment that benefited all free Americans regardless of location - and as a crucial basic resource for all the new manufacturing powers. When the American Civil War began, it severely disrupted the world economy, based as it was on cotton, and the industrialized nations desperately sought to increase the supply of raw cotton. After that war, it was proven that low-wage sharecroppers could be counted on to produce cotton in a profitable way, supported as it was by state and private repression of the newly freed slaves. The colonial powers took note of this. In the US South, this arrangement was to survive for almost a full century, when automated cotton picking was finally perfected in the 1940s.

The most recent phase of the industry is its globalization, a shift of manufacturing to the former colonies. The real power gravitated to transnational corporations - predominantly retailers like Walmart or Gap - that were no longer subject to coherent national legal jurisdictions, hence largely disconnected from nationalistic considerations. While this caused the precipitous decline of once-prosperous cities like Liverpool, it is part of the ebb of flow of 21C capitalism. Organizational innovation extended to the development of massive logistical networks to handle getting cotton to manufacturers and then distributing their low-cost products in developed nations at a hefty profit. As this is so new, it is the least developed portion of the book. I suspect it decisively locks Third World producers and manufacturers into a lower-value added position, where design and brand generate greater profits for transnational corporations and their shareholders that no longer need to worry about employees in their home base of operation.

The implications of the book are of great interest and relevancy. First, it proves that the free classes all benefited directly and lastingly from slavery as an enabler of the first phase of industrialization. Without slaves (and subsequently share croppers or colonial serfs), both investment capital and the self-reinforcing and expanding product base of consumer capitalism would have accumulated far more slowly, perhaps over centuries rather than decades. This is the best argument for reparations that I have yet seen - the line from slavery and colonialism to prosperity for most of us is direct, while the descendants of slaves and serfs remain exploited and oppressed. Second, the state functioned as a crucial support for the development of private enterprise, from protecting nascent industries to enforcing laws that favored the manufacturing class. This flies in the face of neo-liberal ideology, which argues for a "free trade" that locks the developing world into an inferior status.

This book is a wonderful intellectual adventure, its ideas are far more subtle than I could ever express here. It is a bit too academic for my taste, covering developments in exhaustive detail, but on the whole it is a page turner. Recommended with the greatest enthusiasm.

73 of 83 people found the following review helpful.
A History of Capital and the Industrial Revolution for the 21st Century
By Jonathan M. Soffer
Sven Beckert's Empire of Cotton continues on a global scale his project in his first book, The Monied Metropolis: New York City and the Consolidation of the American Bourgeoisie, 1850-1896, in demonstrating that the US is not an exceptional Arcadia emancipated from the repressive political, economic, & ideological forces of global capitalism. It is a must-read for anyone interested in the evolution of our global system of political economy, indeed for anyone seriously interested in the development of the 19th and twentieth century world. Beckert, a professor of history at Harvard University, creates a history of capitalism for the 21st century, decisively demonstrating that older Marxist scholars notably Eugene Genovese, were wrong to argue that slavery was a pre-capitalist mode of production, with the implication that Southern US slaveowners were somehow more benevolent "paternalist" employers than Northern industrialists. He also definitively challenges classical liberal lines of scholarship that argue that superior western institutions (other than the military) and free markets led to the economic expansion of the West. Unfreedom had far more to do with the rise of capitalism than freedom, liberty, or democracy. Even after the post-emancipation shift to industrial capitalism, capitalist enterprise remained tied closely to, and probably could not continue to expand without strong exercises of state, particularly military power. In line with recent scholarship by Walter Johnson, and Edward Baptiste, Beckert demonstrates that slave labor and state action on behalf of private interests were integral to the establishment of capitalism and to the industrial revolution.

Conducting research in the archives of every major country that produced cotton or finished cotton goods, and consulting local scholars where he doesn't have the languages, this book is also a model of transnational scholarship. Beckert traces the global evolution of cotton production and consumption, noting that in the early modern period, Western Europe was notable as a non-cotton producing region, making it even more remarkable that in the 19th century that it should become the center of the cotton trade.

He divides capitalism into two periods--war capitalism, which lasts until the US Civil War, was the first system. "Slavery, the expropriation of indigenous peoples, imperial expansion, armed trade, and the assertion of sovereignty over people and land by entrepreneurs were at its core." He then demonstrates the close ties of supply, transport, communication, and credit with plantation forced labor. The knowledge and wealth that war capitalism expropriated, he argues, were "crucial preconditions for Europe's extraordinary economic development."

But expropriation and slavery, along with the deindustrialzation of the original producers of finished cotton goods in Asia and South America were not stable bases for bourgeois property and production. The revolution in St. Domingue in 1793 disrupted the English cotton industry and shifted production the American South, until the US Civil War ended the southern states' near monopoly of world cotton exports. This second American revolution, fought over the issue of free labor, shifted much of the cotton business back to Asia, Egypt, and Central America. Britain and other cotton-military- industrial complexes expanded their penetrations of colonies, such as India, where peasant labor had resisted the complete replacement of subsistence crops by cotton that Manchester demanded.

The new system, industrial capitalism, based on wage labor, both created political openings for workers in the West. "The dependence of capitalists on the state, and of the state on its people, empowered the workers who produced that capital. . . By the second half of the nineteenth century, workers organized collectively, both in unions and political parties, and slowly, over multiple decades, improved their wages and working conditions." The increased production costs eventually made the reindustrialization of the global South possible, and the center of the cotton industry has shifted there.

Empire of Cotton is surely one of the most significant works of history published this year. It is not impossible that in ten years that historians will consider it one of the most significant works of the decade.

71 of 87 people found the following review helpful.
"Vast sphere of war capitalism"
By evolveape
"...starting in the sixteenth century, armed European capitalists and capital-rich European states reorganized the world's cotton industry. It was this early embrace of war capitalism that was the precondition for the Industrial Revolution that eventually created an enormous further push toward global economic integration and continues to shape and reshape our world today..."
An excellent account on the importance of cotton in the development of capitalism with the emphasis given to slave labor. My only question is while discussing capitalism the author makes no reference to "Das Kapital" even Karl Marx have many attributions to cotton industry in England in his work . Let us not forget F. Engels who provided the information and data to Marx due to his connection to the textile industry in England, his family owned factories in Manchester. In his work " The Condition of the Working Class" Engels too gives examples of workers in the cotton mills of victorian Manchester: As an early advocate of workers cooperatives, George Jacob Holyoake writes in the secularist paper "Reasoner": "As you enter Manchester from Rusholme, the town at the lower end of Oxford road has the appearance of one dense volume of smoke, more forbidden than the entrance to Dante's inferno". In writing the ills of capitalism Engels admits that he was shocked: "I have never seen so systematic a shutting out of the working class from the thoroughfares, so tender a concealment of everything which might affront the eye and the nerves of the bourgeois as in Manchester" "..in such dwellings only a physically degenerate race, robbed of all humanity, degraded, reduced morally and physically to bestiality, could feel comfortable and at home" Likewise Robert Owen, an utopian socialist, was a textile manufacturer himself tried to change the conditions of his workers by introducing a model of equitable employment and community cohesion in his factories. Furthermore on the impacts of American Civil War on cotton industry in England the author misses hundreds of thousands Lancashire laborers enthusiastically supporting Abraham Lincoln's ideals and the anti-slave North being fired, cut back to part-time and earnings reduced. As a result food riots broke out. (See "History of Cotton Famine." by R. Arthur Arnold) In addition to all this, no reference is given to John Hobson and his work on "Imperialism". Hobson's focus on industrial capitalism as the driving force of imperialism and his great influence on V.I Lenin and his work "Imperialism: The Highest Stage of Capitalism" is well known. These references would have only enriched the argument in the context of "war capitalism". Now that the cold war is over and Soviet Union has been disintegrated the historians should not hold themselves from exploring the classical works out of the fear of being labeled as "marxist".

A fair review of this book appeared in slate.com by Eric Herschthal entitled: "The Fabric of Our Lives"
http://www.slate.com/articles/arts/books/2014/12/empire_of_cotton_a_global_history_by_sven_beckert_is_a_great_history_of.html

Despite the shortcomings mentioned above I should still consider it as an important work about the history of cotton industry especially in connection with slave trade and development of industrial capitalism.

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Jumat, 02 November 2012

[B364.Ebook] Fee Download The Warrior Ethos, by Steven Pressfield

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The Warrior Ethos, by Steven Pressfield

The Warrior Ethos, by Steven Pressfield



The Warrior Ethos, by Steven Pressfield

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The Warrior Ethos, by Steven Pressfield

WARS CHANGE, WARRIORS DON'T We are all warriors. Each of us struggles every day to define and defend our sense of purpose and integrity, to justify our existence on the planet and to understand, if only within our own hearts, who we are and what we believe in. Do we fight by a code? If so, what is it? What is the Warrior Ethos? Where did it come from? What form does it take today? How do we (and how can we) use it and be true to it in our internal and external lives? The Warrior Ethos is intended not only for men and women in uniform, but artists, entrepreneurs and other warriors in other walks of life. The book examines the evolution of the warrior code of honor and "mental toughness." It goes back to the ancient Spartans and Athenians, to Caesar's Romans, Alexander's Macedonians and the Persians of Cyrus the Great (not excluding the Garden of Eden and the primitive hunting band). Sources include Herodotus, Thucydides, Plutarch, Xenophon, Vegetius, Arrian and Curtius--and on down to Gen. George Patton, Field Marshal Erwin Rommel, and Israeli Minister of Defense, Moshe Dayan.

  • Sales Rank: #11979 in Books
  • Brand: Brand: Black Irish Entertainment LLC
  • Published on: 2011-03-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .29" w x 5.00" l, .29 pounds
  • Binding: Paperback
  • 112 pages
Features
  • Used Book in Good Condition

About the Author
Steven Pressfield is the author of The Profession, Gates of Fire, Tides of War, The Afghan Campaign, Killing Rommel, The War of Art and Do the Work among others. He is a former Marine. In 2003, he was made an honorary citizen by the city of Sparta in Greece.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Review of KINDLE edition -- stick to paper
By Krykie
The content of this book is great -- but recommend you get it hardcopy, and not on kindle. Read other reviews for content.

It is not formatted well for kindle. Extra spaces after apostrophes, paragraph breaks not formatted....something weird. Try to change the font? The font selections are in Asian characters....can't change the font. When the book was downloading, the image had the Japanese notations. You can change the font size, but not the style, and the style is odd. This was a sloppy and careless "make it digital" attempt.

So, this book should NOT be purchased via kindle. I like the content, but the display is so annoying that it is distracting. For free, I'd take it. But not for the full price I paid.

2 of 2 people found the following review helpful.
Interesting book with an outlook on the warrior ethos that ...
By João D.
Interesting book with an outlook on the warrior ethos that I appreciated. However, the book is too short, and thus the author doesn't develop his subject in much depth at all. Also, most of his examples are taken from spartan society and from sources that are likely very well known for one interested in classical antiquity (he unearths no little-known pearls of martial wisdom from ancient sources, and one is taken to believe he just worked with the research he had already made for his Sparta-themed fiction). So it is an interesting and well-written piece, but a bit shallow.
Worth a read if you are into the subject of the military mind, but seems to me to be hanging in the line between being a historical book and a motivational one.

1 of 1 people found the following review helpful.
This knowledge should be required reading in all junior high schools
By Theresa
I am so deeply impressed by Steven Pressfield's writing. I have purchased several of his books after reading Gates of Fire, which was recommended to me by someone I love, who is a former Special Forces soldier. I am a female, and I can attest this book is not just for men.

I was in the military for almost 14 years and I wish I had known about Mr. Pressfield and his books much sooner. This knowledge is something that needs to be given to every woman and man as they come of age.

Our country needs more authors and thoughtful individuals like Mr. Pressfield.

Read it, read it now, and then read it once per month to continue your philosophical training in the Warrior Ethos.

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